| Miriam Siyam |
| Harlem Writers:
Claude McKay and Zora Neale Hurston |
| Claude McKay | |
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Your door is shut against
my tightened face,
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| 1891-1948 |
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| Claude McKay (1891-1948) was known as both a poet and author of novels like Gingertown and Banana Bottom. He also wrote Harlem: Negro Metropolis, which described Harlem life outside of the artistic Renaissance movement. His autobiography, A Long Way From Home, reminds us of the challenges African-Americans faced, and still face, in the search for intellectual identity. |
| Zora Neale Hurston | |
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There was the bloody-flux that
he put on Lucy Potts; he caused Emma Taylor's teeth to drop out; he put
the shed skin of a black snake in Horsos Brown's shoes
All of these things and more can easily be proved by the testimony
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Click Here for Link to Entire Story |
| Zora Neale Hurston (1891-1960) was considered the female voice for the Harlem Renaissance. Sadly, many of her short stories ("Book of Harlem," "The Woman in Gaul") and other writings were not published until after her daeth. She was also a folklorist and critic, and paved the way for future black women writers. A great reader that offers a taste of every aspect of Hurston's work is I Love Myself When I Am Laughing. . . And Then Again When I Am Looking Mean And Impressive, which is edited by Alice Walker. The title comes from a letter Hurston wrote to a friend. |
| Images, poem and excerpt from:www.nku.edu/~diesmanj/poetryindex.html
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